Mana is the Element V among the Four Elements, corresponding to aether in Plato's theory of five elements. It greatly affects the potency of Magic released by Being.

 

Mana, like aether, is everywhere, and can therefore be perceived by beings with the ability to manipulate it. The strength of this perceptive ability has no direct relationship with one's Mana Capacity (see below) — though for Sorcerers, there is a positive correlation, along with a unique mechanism. This means most magic leaves traces — traces that can be sensed by mages. Methods such as //Tracery and the Cysindera Test also exist for visualizing the presence of Mana.

Generally speaking, unless the spell was extremely large in scale, traces become very weak one week after being cast. For mages without strong Mana insight, they must carefully and actively sense to detect them. This is because free Mana tends toward equilibrium, naturally flowing from areas of high concentration to low concentration like a gas. Even so, due to Mana's adhesive effect on the surface it was cast upon, even after several decades, as long as the surface has not been treated with a Suppressant such as Siment Flower, traces of Mana will still remain.

 

Mana Capacity and Voiceprint

Beings are containers for Mana; Mana Capacity refers to how much Mana a Being can store. As stated above, Mana tends toward equilibrium — so the principle that "Beings are containers for Mana" actually means that Beings have a higher Mana Potential. When the Mana inside a Beingis low, surrounding Mana spontaneously flows in. From this we can see that Mana Capacity — how much Mana can be stored — is mainly determined by a Creation's Mana Potential (because once the internal Mana concentration reaches a sufficiently high value, it forms equilibrium with the outside; Mana still flows, but inflow and outflow rates are equal).

Sorcerers are born with higher Mana Capacity, partly because they are born with a considerably high Mana Potential (fully formed before adulthood), and partly because Sorcerers can freely control the flow of Mana in and out of their bodies — underloading, full-loading, or even overloading. This ability grants many benefits, including but not limited to:

Regarding the third point: it is necessary to elaborate on what Mana — the substance corresponding to aether — actually is. First, Mana possesses divisibility. This means you can think of Mana as an enormous number of extremely small fictional particles, like molecules, but without actual volume. This allows Mana to be arranged into certain structures, just as molecules can be. Without external forces, structured Mana tends to return to a state of disordered diffusion. To manipulate Mana, mages typically arrange the Mana within their bodies according to personal habits (so-called Manipulate). This arrangement is roughly consistent across all intelligent beings — the closer two Beings' Phase are, the more similar their methods of arranging Mana tend to be. This method is like the genome of Mana, which we call a "Voiceprint" — all beings have genomes, and those of the same species are more similar, but each individual is unique. (If you don't understand what a genome is, just think of fingerprints.) The act of identifying others by sensing Mana is actually accomplished by distinguishing the still-structured Mana that a Being emits during its exchange of Mana with the surroundings. In casual conversation, this arrangement is sometimes referred to simply as "Mana." (e.g., Shiki Takaaki‘s Grace-IV: "Ferdinand couldn't tell who the visitor was, but he could distinguish that non-human Mana from hundreds of meters away.") The "Mana residue" mentioned in the Cysindera Test and similar contexts actually refers to structured Mana — since Mana is ubiquitous, verifying whether Mana exists is as pointless as verifying whether there is air on Earth. The gap between this casual "Mana" and the technical term "Voiceprint" is akin to the scientific information gap in the real world — if you understand science well enough, you can comprehend the origins of everyday phenomena as well as their academic names.

However, Sorcerers do not need to arrange their Mana in order to wield it. Even the Mana that radiates from their bodies is disordered and scattered, meaning it is very difficult to recognize it as Mana emanating from a Being, and thus to become aware of that being's existence. Even if a Sorcerer is already very close to you — meaning you are already in an area of relatively high Mana around them — they can still prevent you from detecting them by suppressing the exchange of Mana between themselves and the outside world.

The name "Voiceprint" comes from the experiment in which it was discovered: a method that coerced Mana into vibration, then visualized the vibration into a pattern.

 

How Do Beings Manipulate Mana?

Beings are containers for Mana, but the distribution of Mana within these containers is not uniform. This distribution generally follows the principle of use it or lose it — concentrating most heavily at the extremities of the limbs, particularly the hands.

 

 

 

魔力是四元素 中的第五元素 ,对应柏拉图五元素论中的以太,很大程度上影响了造物 释放的魔法 的效力。

 

魔力同以太一样无处不在,因此,可以被有操控魔力能力的生物感受到,而感受魔力这种能力的强弱与魔力量(见下)的强弱没有直接关系(魔法使存在正相关,且有独特的机制)。这意味着大部分魔法都会留下痕迹,可以被魔法师们感受到的痕迹。此外,还有示踪术辛德拉试验 这样可视化魔力存在的手段。

一般而言,在被释放一个星期后,除非是规模极大的魔法,痕迹都会变得很弱,对于魔力洞察能力没有那么强的魔法师而言,必须仔细(主动)感受才能察觉到。这是因为自由的魔力具有趋同的性质,会像气体一样自然从高浓度流向低浓度的地方。即使如此,由于魔力对它被释放到的表面上有附着效应,即使过了几十年,只要没有经过寂魔花 之蜜这样抑魔剂的处理,受到魔法的物体表面仍将保留魔力的痕迹。

 

魔力量与声纹

造物是魔力的容器,所谓魔力量就是造物可以储存魔力的量。如上所述,魔力具有均衡的趋势,因此所谓“造物是魔力的容器”原理实际上是,造物拥有更高的魔力势,因此,当其体内魔力较少时,周围的魔力会自发流入其体内。从中可见,魔力量,即能够存储魔力的多少,主要由造物的魔力势的高低决定(因为造物体内的魔力浓度达到一个很高的值时就与外界形成了均衡,魔力仍然会流动,但进出速率一致)。

所谓魔法使生来就具有更高的魔力量,一方面是由于他们生来就拥有一个相当高的魔力势(在成年之前完全形成),另一方面,魔法使可以自由控制魔力进出自己的身体,让魔力欠载,满载,甚至过载。这个能力带来了包括但不限于下述的许多好处:

 

关于第三点的解释:有必要详细阐述对应着以太的魔力到底是什么。首先,魔力具有可分性。这意味着,你可以将魔力理解为非常多极小的假想粒子,就像分子一样,不过没有实际的体积。这使得魔力可以像分子一样被某种特定的结构排列。没有外力时,被排列为某种结构的魔力有出于恢复无序散漫状态的趋势。为了操控魔力,魔法师们往往会将体内的魔力根据个人习惯进行排列 (Manipulate),这种排列方式在所有智慧生物之间大致是一致的,造物之 越接近,排列魔力的方式往往越接近,这种方式就像魔力的基因组,我们称之为“声纹”(所有生物都有基因组,同物种之间的基因组更相似,但每个个体都独一无二)(如果你不理解什么是基因组,那么就想想指纹)。所谓通过感受魔力辨认他人,就是通过辨别造物在进行与周围魔力交换时发出的仍保有一定结构的魔力的。在一般的口头交流时,这种排列方式有时会被直接称作魔力。(e.g. 四季高岭之赐 其四 “斐迪南并没有认出来者是谁,但他在几百米外就能分辨那股不属于人的魔力。“)所谓辛德拉试验中的“魔力残留”与其他类似的陈述,实际上指的都是有结构的魔力,因为魔力是无处不在的,验证有魔力就像验证地球上有没有空气一样蠢,这种“魔力”与“声纹”的误差就像是现实世界中的科学信息差——如果你对于科学足够了解,就能理解一些日常现象的来源以及他们的学术称呼。

然而,魔法使不需要排列魔力以便驱役。即使是从他们体内散发出的魔力,也是无序而散漫的,这意味着你很难意识到这是造物身上散发出的魔力,从而意识到其他造物的存在。即使魔法使与你已经非常近(这意味着你已经在他身周魔力相对较高的区域),他也可以通过抑制自己与外界的魔力交换来阻止你发现他。

 

声纹这一名字来源于发现它的实验使用了一种胁迫魔力震动,再可视化振动成为纹理的实验。

造物如何操控魔力?

造物是魔力的容器,而魔力在容器内的分布并不均匀,这种分布一般遵循用进废退的原则,即在四肢末端(尤其是双手)聚集最多。